![]() On Rodwin Dionicio (5th Round, 129th Overall) But he likes to play a mean game and there are so few guys like that in junior hockey. There were very few guys like Konnor in the draft, 6-foot-5, 210 lbs., physical and smart. On Konnor Smith (4th Round, 97th Overall)īy that point in the draft, we saw more value in the defensemen. They play with intensity, they play with speed and they play with paced. ![]() The three forwards that we took (on day two) are able to do that. We had a focus on forwards, speed and goal scoring. On Coulson Pitre (3rd Round, 65th Overall) and Yegor Sidorov (3rd Round, 85th Overall) ![]() He's just starting on his development curve and is unbelievably athletic for a 6-foot-5 guy. He's going to be playing pro next year in Brynas. He's really young in his development scale, an Italian kid who moved to Red Bull Salzburg and then on to Farejstad. The way that goalies started to come off the board early in the second round, we didn't want to take a chance that he would not be available later than we picked him. There were four goalies that we were interested in selecting this year and we did want to select one. On Damian Clara (2nd Round, 60th Overall) He plays with pace and intensity, and he can finish. I think that's where he will be able to use his speed the most. I think he played both wing and center this year. With him, we like his speed and his ability to score goals. On Carey Terrance (2nd Round, 59th Overall)Ĭarey is another really mature kid. He's a culture guy, an unbelievable kid who is mature beyond his years with lots of room to grow and get stronger and faster. He's somebody who's the first on the backcheck and somebody who's always in the goalie's face. So he makes plays, but mostly he's an elite support player, somebody who can get pucks for first and second line players. He does all the little things right and he has the skill to be able to produce in front of the net. He did it on a elite Seattle team this year. Really, really good hockey sense and applies it in different ways. On Nico Myatovich (2nd Round, 33rd Overall) He's really strong on the ice, but he's got so much more potential as he'll keep growing and he'll be a different kid physically two years from now. I think that's the most important part of his game that we see continue to allow him to grow into a dominant first line center for us in the future. On top of that, he made his his linemates better. Whether he was playing wing or he was playing center at the World Championships, he rose to that level to a degree that allowed him to be one of the best players in every instance. He makes players around him better and that will continue to happen because every level he played at this year, he's able to do that. He's so calm, yet so focused and aware of what's going on in the ice. He has unbelievable hockey sense in every phase of the game. Didn't get huge surprises, but the most likely scenario for us happened, and we're really happy with it. “We are very proud as a small Munich software house to be granted such a notable international recognition for our work,” said Neubäcker, receiving the award together with his three partners in Los Angeles.We thought the was deep enough that we were gonna select players we were super excited about towards the end of the second and third, and I think it lasted a little bit longer than that for us this year. He also thanked the Recording Academy, the Celemony team, the company’s many friends and, of course, all the users of the software Melodyne. In his acceptance speech, Peter Neubäcker alluded to his philosophical and mathematical background, explained his own, singular vision of music, and described the beginnings and the spirit of the company. After all, Celemony has blazed open a radically new avenue of access to musical editing that for ten years now has made it impossible to imagine music production without it. Host and Grammy manager James McKinney opened with the legendary question posed long ago by Melodyne inventor Peter Neubäcker: “What does a stone sound like?” A truly philosophical approach to the world of sound technology, far away from the purely technical thought-processes that typically prevail in the industry, and yet it is for precisely that reason Celemony was chosen to receive this year’s Technical Grammy. The first of the Special Merit Awards to be presented went to the Munich software house Celemony. And perhaps also the strangest,” commented Melodyne inventor Peter Neubäcker. I believe our company is the smallest ever to have received a Technical Grammy. “This is an honor none of us ever expected. ![]() The highest award in the music business is given in recognition of “contributions of outstanding technical significance to the recording field” and is equivalent to an Oscar in the film industry. On February 12, 2012, we have been honored by the Recording Academy as the first German software manufacturer with a Technical Grammy.
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